Mark Bleakley | Stepping In…Spilling Out…

Mark Bleakley | Stepping In…Spilling Out…

Tuesday 29 April - Friday 2 May

This residency suports Mark and Rémy’s development of their project Stepping in…Spilling out.

Adapting and devloping the work originally made as a performance lecture into a performance which will be premiered as part of the Made in Scotland Edinburgh Festival Fringe programme 2025.

Stepping in… Spilling out: across your parent’s carpet, stepping into the cypher, stepping in solidarity, stepping with strangers in the club.

Collaboration with French percussionist Rémy Gouffault, this work takes a walk along the personal history of Mark’s dance practice through the foundational act of stepping; the different people, communities, histories and politics that collide with Mark’s body through these movements. Beginning with on an oversized drawing of his family home carpet, using movement, conversations, participation and music, Mark and Rémy guide you through layers of landscapes stepping through; parties, protests, rituals, mosh pits and gas clouds.

Collaborators

Percussionist – Rémy Gouffault

Dramaturg – Quim Bigas Bassart

Producers – Hacks

Sharing

The friday public sharing will present a reworked version of the performance with guest participant in the work. This sharing will focus on how we work with the audience and develop the tone of the work as well as expanding different material. We will be trialling the full length show of 50mins.

Care considerations: some swearing, audience participation will be invited.

Mark Bleakley
Mark Bleakley is a Scottish and Irish artist and choreographer based between Scotland and Denmark where he completed his MFA in Choreography. Mark presents work in both dance and visual arts contexts. Formally trained in visual art, his practice is rooted in social dance through Bboying (Breakdancing) and House dance. Like the Gemini he is, his practice follows desire and pleasure in many directions at the same time. This has produced a practice that is equally social as it is conceptual, rhythmic as it is sculptural.
His work explores how We handle things; people, objects and how objects handle Us through: environments, architecture, and social structures. Specifically he is very interested in the power of dance to change and create new spaces and places.